Form 3B: (5CFU - 125 hours)
. The course will enable the student to acquire the main concepts related to manufactures paintings on Synthetic Materials machined, assembled and / or painted, through the knowledge of the techniques used and the constituent materials, the phenomena of degradation and techniques of historical restoration. During the course, we will be introduced even some notions related to restoration and the main materials used. Filing conservative; thematic mapping of degradation and interventions on manufactured goods subject to intervention. Photographic documentation. Technical execution; tech materials: binders and supports atypical industrial production; degradation of the constituent materials: causes and phenomenology of degradation; restoration and case studies; preventive conservation.

workshop

1- Lectures; Works using traditional techniques or those assimilated.
The monochrome paintings.
The unstable materials and combinations of materials.
Perishable and transient art works.
Mixed techniques.
Supports: canvas, cotton and hemp, linen, silk, paper, cardboard (Masonite, Hardboard), plastics, woods, plaster etc.
Pigments: oil, acrylic, ink, tempera.
The colored earth, mortars, plasters.
The epoxy resins and polyesters.
The metals. 25 hours

2- Techniques of photographs and graphics. 25 hours

3- Technical cleaning 20 Hours

4- Technical reconstruction of synthetic materials 15 Hours

5- Grouting 10 hours

6) reintegration of painting and final protection. 30 hours

Acquire the main concepts in the artifacts of synthetic substrate , through the knowledge of the techniques used and the constituent materials , the phenomena of degradation and techniques of historical restoration through a careful analysis of the degradation .
Acquire some previous knowledge related to restoration work ( structural analysis and constituent materials consolidation , compensation for injuries , leveling of deformations , reitegrazioni gaps , etc . ) And the main materials to be used that will be detailed during the modules .

The teaching material prepared by the lecturer in addition to recommended textbooks (such as for instance slides, lecture notes, exercises, bibliography) and communications from the lecturer specific to the course can be found inside the Moodle platform › blended.uniurb.it

Visiting exhibitions and museums. Participation in conferences.

Course books

Contemporary Art Conservation and Restoration Sergio Angelucci Nardini Editore;
Store Art Contemporary Chiantore Oscar Antonio Rava ELECTA;
Restoration of Contemporary paintings Giovanna C. Scicluna Nardini Editore;
How to study Contemporary Art Enrico Crispolti Donzelli Quotes;
Store Contemporary Art Lidia Righi Nardini Publisher
Roberta Verteramo THE AGE OF PLASTIC necklace talents
Maria Cristina Mundici and Antonio Rava WHAT CHANGE THEORY AND PRACTICE OF RESTORATION IN CONTEMPORARY skira

Assessment

Final exam test with open-ended and closed on the topics covered by the lectures. Oral exam on the final report of the work done in the module

Disabilità e DSA

Le studentesse e gli studenti che hanno registrato la certificazione di disabilità o la certificazione di DSA presso l'Ufficio Inclusione e diritto allo studio, possono chiedere di utilizzare le mappe concettuali (per parole chiave) durante la prova di esame.

A tal fine, è necessario inviare le mappe, due settimane prima dell’appello di esame, alla o al docente del corso, che ne verificherà la coerenza con le indicazioni delle linee guida di ateneo e potrà chiederne la modifica.